Brown leather with tan trim. Stand collar with snap tab; front zip. Long sleeves. Zip pockets on side and left chest. Made in Italy. When Belstaff Shoulder Bag launched its high-performance waterproof outerwear line in 1924, it soon became the label of choice for motorcyclists and aviators alike!Belstaff Blouson Jackets was founded here in the UK, and were the first company in the world to make clothing that was waterproof and breathable by using their famous wax cotton. The companies logo, the phoenix, was chosen by its founder Harry Grosberg to symbolise continuity - and now, 85 years on, this iconic British brand is a fully-fledged fashion icon!his model has already made history.The jacket is very appropriate.A removable sash belt allows the use of all opportunities.Small brown canvas and leather trim messenger bag with one front pocket and leather buckle strap closing the main opening and fastens on the pocket. The large front pocket has brass press stud fastenings. The canvas adjustable strap has leather padding with brass corner rivets. Internal zippered compartment and fully lined. Embroidered Belstaff patch on the inner side of the flap, metal Belstaff Colonial Bag 556 logo on the outer pocket. Brass hardware and leather reinforced base corners. Outer 100% cotton, 100% leather; lining, 100% cotton. Do not wash. Dimensions approx.Mountain Brown canvas and leather travel bag with main zipper opening. Belstaff Colonial Shoulder Bag has two press stud fastening front pockets with additional leather straps, two carry handels and detachable shoulder strap. Exterior side zip compartment. Internal zippered compartment and leather trims across the front and sides.
As for Ayesha: when she encountered the Mirza on the balcony, or in the garden as he wandered reading Urdu love-poetry, she was invariably deferential and shy; but her good behaviour, coupled with the total absence of any spark of erotic interest, drove Saeed further and further into the helplessness of his despair. So it was that when, one day, he spied Ayesha entering his wife's quarters and heard, a few minutes later, his mother--in-- law's voice rise in a melodramatic shriek, he was seized by a mood of mulish vengefulness and deliberately waited a full three minutes before going to investigate. He found Mrs. Qureishi tearing her hair and sobbing like a movie queen, while Mishal and Ayesha sat cross-legged on the bed, facing each other, grey eyes staring into grey, and Mishal's face was cradled between Ayesha's outstretched palms. It turned out that the archangel had informed Ayesha that the zamindar's wife was dying of cancer, that her breasts were full of the malign nodules of death, and that she had no more than a few months to live. The location of the cancer had proved to Mishal the cruelty of God, because only a vicious deity would place death in the breast of a woman whose only dream was to suckle new life. When Saeed entered, Ayesha had been whispering urgently to Mishal: "You mustn't think that way. God will save you. This is a test of faith." Mrs. Qureishi told Mirza Saeed the bad news with many shrieks and howls, and for the confused zamindar it was the last straw. He flew into a temper and started yelling loudly and trembling as if he might at any moment start smashing up the furniture in the room and its occupants as well. "To hell with your spook cancer," he screamed at Ayesha in his exasperation. "You have come into my house with your craziness and angels and dripped poison into my family's ears. Get out of here with your visions and your invisible spouse. This is the modern world, and it is medical doctors and not ghosts in potato fields who tell us when we are ill. You have created this bloody hullabaloo for nothing. Get out and never come on to my land again." Ayesha heard him out without removing her eyes or hands from Mishal. When Saeed stopped for breath, clenching and unclenching his fists, she said softly to his wife: "Everything will be required of us, and everything will be given." When he heard this formula, which people all over the village were beginning to parrot as if they knew what it meant, Mirza Saced Akhtar went briefly out of his mind, raised his hand and knocked Ayesha senseless. She fell to the floor, bleeding from the mouth, a tooth loosened by his fist, and as she lay there Mrs. Qureishi hurled abuse at her son-in-law. "O God, I have put my daughter in the care of a killer. O God, a woman hitter. Go on, hit me also, get some practice. Defiler of saints, blasphemer, devil, unclean." Saeed left the room without saying a word. The next day Mishal Akhtar insisted on returning to the city for a complete medical check-up. Saeed took a stand. "If you want to indulge in superstition, go, but don't expect me to come along. It's eight hours' drive each way; so, to hell with it." Mishal left that afternoon with her mother and the driver, and as a result Mirza Saeed was not where he should have been, that is, at his wife's side, when the results of the tests were communicated to her: positive, inoperable, too far advanced, the claws of the cancer dug in deeply throughout her chest. A few months, six if she was lucky, and before that, coming soon, the pain. Mishal returned to Peristan and went straight to her rooms in the zenana, where she wrote her husband a formal note on lavender stationery, telling him of the doctor's diagnosis. When he read her death sentence, written in her own hand, he wanted very badly to burst into tears, but his eyes remained obstinately dry. He had had no time for the Supreme Being for many years, but now a couple of Aycsha's phrases popped back into his mind. _God will save you. Everything will be given_. A bitter, superstitious notion occurred to him: "It is a curse," he thought. "Because I lusted after Ayesha, she has murdered my wife." When he went to the zenana, Mishal refused to see him, but her mother, barring the doorway, handed Saeed a second note on scented blue notepaper. "I want to see Ayesha," it read. "Kindly permit this." Bowing his head, Mirza Saeed gave his assent, and crept away in shame.
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